Lino print and handmade paper on board
Exploration of Pattern by Karli Dunkling
Exploration of Pattern by Karli Dunkling , New College Stamford Art Foundation Exhibition , Lino print and handmade paper on board
Lino print and handmade paper on board
<p class="MsoNormal" style="margin-top:0cm;margin-right:239.85pt;margin-bottom:<br>
0cm;margin-left:0cm;margin-bottom:.0001pt;line-height:normal""><b"><span style="font-size:12.0pt"">32cm<br>
x 44.5cm<br"></span"></b"><b"><span style="font-size:12.0pt"">£40</span"></b"></p"><br>
<br>
<p class="MsoNormal" style="margin-bottom:0cm;margin-bottom:.0001pt;line-height:<br>
normal""><span style="font-size: 12pt;"">My aim for this project was to explore the<br>
world of surface design and how pattern is often included within it. The works<br>
of William Morris and Owen Jones inspired me to create my own pattern design<br>
that could potentially be used on </span"><span style="font-size: 12pt;"">fabrics<br>
and products.<br"></span"><span style="font-family: " times="" new="" roman",="" serif;="" font-size:="" 12pt;"="""> </span"></p"><br>
<br>
<p class="MsoNormal" style="margin-top:0cm;margin-right:239.85pt;margin-bottom:<br>
0cm;margin-left:0cm;margin-bottom:.0001pt;line-height:normal""><span style="font-size:12.0pt;color:black"">Today’s society is </span"><span style="font-size:12.0pt"">influenced by <span style="color:black"">how things<br>
look and ar</span">e often influenced by fashion more than personal taste. <span style="color:black"">The recent Pandemic forced people to stay at home and</span"><br>
possibly <span style="color:black"">realise that the idea of things </span">looking<br>
perfect is not as important as what interests us as individuals<span style="color:black"">. </span">T<span style="color:black"">his idea is still very<br>
much present,</span"> but <span style="color:black"">people are beginning to<br>
accept that it doesn’t necessarily matter as to what things look like.</span"> <span style="color:black"">I decided to base the concept of my project on this idea of<br>
something being pretty yet not perfect to society’s standards.<font face="Times New Roman, serif""><br"></font"></span"></span"><span style="font-size: 12pt;""><font face="Times New Roman, serif""><br"></font">Within my project, I have researched a<br>
variety of artists and practitioners that have explored the idea of pattern.<br>
Initially inspired by Owen Jones whose designs introduced me to the world of<br>
tiling an</span"><span style="font-size: 12pt;"">d I found a growing interest in<br>
the way a pattern can be repeated. This influenced me<br>
to create my own tile that I could then use in different ways. I began to<br>
explore having my initial prints deconstructed and reformed to create a<br>
distressed aesthetic that disrupts the properties of pattern. This exploration<br>
of my ideas can be viewed in the piece above.</span"></p">
32cm
x 44.5cm
£40
My aim for this project was to explore the
world of surface design and how pattern is often included within it. The works
of William Morris and Owen Jones inspired me to create my own pattern design
that could potentially be used on fabrics
and products.
Today’s society is influenced by how things
look and are often influenced by fashion more than personal taste. The recent Pandemic forced people to stay at home and
possibly realise that the idea of things looking
perfect is not as important as what interests us as individuals. This idea is still very
much present, but people are beginning to
accept that it doesn’t necessarily matter as to what things look like. I decided to base the concept of my project on this idea of
something being pretty yet not perfect to society’s standards.
Within my project, I have researched a
variety of artists and practitioners that have explored the idea of pattern.
Initially inspired by Owen Jones whose designs introduced me to the world of
tiling and I found a growing interest in
the way a pattern can be repeated. This influenced me
to create my own tile that I could then use in different ways. I began to
explore having my initial prints deconstructed and reformed to create a
distressed aesthetic that disrupts the properties of pattern. This exploration
of my ideas can be viewed in the piece above.
Medium |
Lino print and handmade paper on board - more |
Artist |
New College Stamford Art Foundation Exhibition - more |
POA
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